Exposé Online banner

Ars Nova — Ars Nova
(Sundazed SC 6207, 1968/2004, CD)

by Jon Davis, Published 2005-03-01

Ars Nova Cover artIf you name your band “Ars Nova” you have to be: a) Serious Artists; b) Sarcastic reactionaries; c) Into psychedelic drugs; or d) Japanese. It’s Latin, for goodness sake, and means “New Art.” This particular manifestation, hailing from New England in the late 60s, is probably type a and possibly a bit of c. But in 1968, it was okay to be a Serious Artist, so Ars Nova ended up on Elektra with support to record an ambitious album of psychedelic rock. Prominent use of trombone and trumpet set the band apart from the run of rock bands of their (or any) era. They also borrowed liberally from Classical music, either directly by adaptation or stylistically, using of guitar and organ parts reminiscent of eras from Baroque to Romantic. Badly done, such things could be disastrous, but in this case the result is almost universally successful. The Beatles had used trumpet (think “Penny Lane”) and here was a band with two trained brass players as members, and no need to hire outside musicians. In additional to the Classical shadings, there are elements of West Coast country rock and vaudevillian swagger, which makes for a unique whole. It holds together amazingly well due to the sophistication of the writing and imagination in the arrangements. Management and label difficulties left this outstanding album without the backing it deserved, and the band only recorded one other (with different personnel for a different label) before dispersing. Lovers of elaborate psych, don’t miss this one.

Filed under: Reissues, Issue 31, 2004 releases, 1968 recordings

Related artist(s): Ars Nova

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Moraine - Manifest Density – Moraine is a new Seattle-based five-piece led by guitarist Dennis Rea (please refer to our feature on Mr. Rea in issue 23 for more background), joined by a rhythm section of bass and drums, plus a...  (2010) » Read more



Listen & discover



Print issues