Exposé print issues (1993-2011)
Arabs in Aspic — Sorgens Kapittel
(Karisma KAR329, 2026, CD / LP / DL)
by Henry Schneider, Published 2026-10-25
Released on October 21, 2026, what would have been the 50th birthday of longtime keyboardist and vocalist Stig Arve Kvam-Jørgensen, Sorgens Kapittel is both a tribute and a farewell. The title translates roughly as “The Chapter of Grief,” but despite its somber origins, this is not a gloomy album. Instead, it celebrates the sound that made Arabs in Aspic such a distinctive force in Norwegian progressive rock. What struck me immediately is how completely keyboard-driven this album is. The guitars are powerful, but the Hammond organ dominates nearly every track. The opening sequence seems like a multi-part suite, moving from gritty doom-laden riffs into passages that reminded me of early Genesis, particularly the gentle mood shifts of Trespass. More than once I found myself thinking, “What if Black Sabbath and Genesis had decided to record an album together?” The first four tracks flow together seamlessly, alternating between heavy organ-and-guitar attacks, melodic interludes, harsh vocals, and vintage prog textures. Later, “Nudisten” adds a quirky theatricality that brought Major Parkinson to mind, complete with carnival organ and an unexpected piano coda. The centerpiece for me is “Syndenes Magi Del 2,” a dark, sinister piece built on some delicious Hammond riffing. The song continually evolves, introducing swooping electronics and delicate keyboard passages that occasionally evoke the atmosphere of Blade Runner. Elsewhere, “King Size Brynje” and “Pentagram” keep the momentum going with gritty vocals, strong rhythmic ideas, and yet more outstanding keyboard work. Even the album’s lighter moments work well. “Det er Deg!” suddenly introduces whistling after an organ-led opening, a reminder that the band still retains its sense of humor despite the album’s underlying theme of loss. The closing “Siste Dans” may be the most touching piece here. Beginning and ending with studio chatter, it feels less like a formal composition than a glimpse into a rehearsal room. A bass riff emerges from the conversation, the band joins in, and, after an album full of Hammond and synths, a Mellotron finally makes its appearance. In the end, Sorgens Kapittel feels less like a meditation on grief than a celebration of the musical legacy of Stig Arve Kvam-Jørgensen. If ever there was an album that demonstrated how central one keyboard player could be to a band’s identity, this is it.
Filed under: New releases, 2026 releases
Related artist(s): Arabs in Aspic
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