Exposé Online banner

Ampledeed — A Is for Ampledeed
((Not on label) no#, 2013, CD)

by Jon Davis, 2013-11-15:

A Is for Ampledeed Cover art Given the general difficulty of writing about music, it's pretty common to resort to metaphors; the first one that comes to mind regarding Ampledeed is "all over the map." I'm not sure if it would be wise (or even appropriate) to say Ampledeed doesn't recognize the validity of maps, so I'll just leave it at "all over" with regards to the geographical comparison. A Is for Ampledeed consists mostly of short tracks (ranging from three under a minute to a few over five minutes) in a wide range of styles. The opening track, "We Breath Time," exhibits the same diversity within its own confines. There is a quiet guitar intro with a vaguely latin feel, several different sections of keyboard-driven progressive rock, some freaky signal manipulation, and more — in a variety of tempos and time signatures. The vocal sections are nicely done, with good work both in the lead and backing parts; in the more laid-back parts, I'm reminded of Camel (like Breathless). When they prog it up, they remind me of the better American bands of the last 20 years, like Echolyn and Underground Railroad, but their restlessness, while not as jarring as Mr. Bungle, sets them apart from those predecessors. When keyboards are so prominent in the arrangements, bands run the risk of sounding like copycats of one of the giants of prog keys, namely Wakeman, Emerson, and Banks, but in these tracks I hear more of Kerry Minnear and Dave Stewart. And believe me, that's a good thing! Few things can turn me off a new release faster than hearing another Wakeman clone cranking out the arpeggios and trills. Ampledeed's core is the trio of Aaron Goldich (keys, vocals), Luis Flores (guitars, vocals, bass, ukulele), and Max Taylor (keys, drums, vocals, bass), but most of the tracks feature guests on a variety of instruments. I suppose some listeners might be put off by the stylistic inconsistency, but I find it refreshing — progressive rock for the ADD generation.

by Henry Schneider, 2014-05-24:

Ampledeed is a young band from California State University Northridge consisting of Max Taylor (percussion and keyboards), Aaron Goldich (keyboards), and Luis Flores (guitar). It is difficult to describe the kind of music they play, which is predominantly instrumental with vocals thrown in here and there in the oddest of places across the 14 songs on their debut release. Take for instance the opening track “We Breathe Time.” This song is nearly eight minutes long and you think that it is an instrumental slab of progressive jazz with numerous time signature shifts and tight arrangements. Then after 5:45 vocals drop in your lap unexpectedly. In many of the songs I found the vocals difficult to understand as they are down in the mix. But if you go to Ampledeed’s web site you can read the lyrics, though they tend to be alliterative and obscure. Roughly half of the 14 songs are instrumentals, where Ampledeed excels, playing very intelligent progressive jazz influenced rock intermingled with quiet acoustic and piano music. I detect vague references to Soft Machine and Frank Zappa. And for some reason, the song “Wake of the Galaxy,” a quiet song primarily with piano and vocals, reminded me very strongly of Anthony Phillips. This is a remarkable effort for a debut and self-released disc. Ampledeed reminds me of the type of bands released by Cunieform Records. They are a band to watch mature over the next couple of years.

Filed under: New releases , 2013 releases

Related artist(s): Ampledeed

More info
http://www.facebook.com/Ampledeed?fref=ts
http://ampledeed.com

Latest news

2017-02-20
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more

2017-01-31
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more

2017-01-30
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Cabezas de Cera and Jack o' the Clock, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more

2017-01-27
Acoustic Festival of Britain 2017 Announces Eclectic Lineup – The Acoustic Festival of Britain has been going since 2006, and this year's event sees a number of outstanding artists on the bill. Fairport Convention, Tir na nOg, and Martin Turner are some of the artists we've covered, and there are many more, including The Men They Couldn't Hang, Howard Jones, Chantel McGregor, and many more. The festival runs June 2-4, 2017 at Uttoxeter Racecourse in Staffordshire. » Read more

2017-01-26
Butch Trucks RIP – Butch Trucks was one of two drummers in the first incarnation of the Allman Brothers Band in 1969, helping the band achieve its legendary status as an American original. He died on January 24, 2017 of a self-inflicted gunshot would. He was 69. » Read more


Previously in Exposé...

Tuatara - Breaking the Ethers – Tuatara's CD was one of those Tower Listening Station impulse purchases. I'd never heard of it, but it sounded so cool in the headphones I ended up taking it home. It starts out with a whirring...  (1997) » Read more

Present - High Infidelity – High Infidelity is Present’s seventh release of intelligent music that extends the tradition laid down in Trigaux’s previous releases. This new CD contains three songs: "Souls for Sale,"...  (2003) » Read more

Last Turion - Circle Logic – There's mediocre neo-prog, and then there's albums like this, which almost make me want to cry. As usual, influences are acquired, but not absorbed, from Marillion, IQ, and post-Gabriel Genesis. The...  (1994) » Read more

Landberk - Dream Dance – Landberk's second CD-EP breaks no new territory, nor develops on their practically patented style, yet again delivers the goods. While I find that their music isn't as translatable live (both...  (1996) » Read more

Egoband - We Are... – Egoband are a contemporary progressive outfit from Italy. Although their sound is generally generic hard prog, at times they throw in some surprises such as e-bowed guitar solos, Floydian drones, and...  (1997) » Read more



Listen & discover



Print issues