Exposé Online banner

Aelian — The Watcher
(Musea FGBG-4061.AR, 1992, CD)

by Peter Thelen, 1994-02-01:

The Watcher Cover art

This is one of Musea's new releases, a label which for many years I considered infallible, but in the last few years they have occasionally proven me wrong with releases like Fancy Fluid's first, Overdrive, Deyss' first and others. Case in point: Aelian is a new Italian four piece of g/k/b/d, with the bassist doubling on lead vocals. The music is definitely neo-progressive for the most part, but in this case it's not necessarily a negative, they do fairly well, comparable to bands like Now and Sinister Street. The problem, once again, is the vocalist, with his laughable imitation Fish-like emotions, which are only eclipsed by his lack of understanding of the subtleties of the English language in which he's trying to sing. Add to that two very cheesy pop tracks that break the album's continuity, and you have a near total disaster. Fortunately, they did put an excellent instrumental on as the second track, and there are plenty of instrumental stretches in some of the other tracks as well. Still doesn't save it, though, when judgement comes down. These guys (unlike the previous) do have potential; I think a good recipe for a second album would be to skip the poppy drivel and stick to Italian vocals.


by Henry Schneider, 1993-12-31:

Musea tends to release two kinds of music: reissues of excellent obscure progressive bands and debut efforts by contemporary bands. The latter can be broken down further into bands that learn from the past masters of the genre and extend progressive music to new horizons and the “wanna be” progressive bands that only hint at possibilities.

Aelian is one of these latter neo-progressive bands. Hailing from Italy, they root their music in bands like Yes and Styx. Unhappily they are bland imitators without understanding instrumentation and lyric writing. Too much happens in their music. As Robert Browning so aptly put it, “Less is more,” and Aelian would have benefited by not filling the available sonic space with instruments. You can pick out individual instruments, but Maurizio Antognoli’s keyboards are mixed way below the drums and bass. Vocals are not Aelian’s strong point yet there is only one instrumental. Aelian’s music improves by quantum leaps when they are not making space for their lead vocalist Mark Aixer. He occasionally trips over English and often the lyrics do not make sense. Take for instance this line from "You Don’t Touch Me": “How can I do to explain to you / that you break my heart like an innocent crime”; this line from "One Dream All Together": “We tried to slide in the dark side / but the lamps of envious lights up / the corner of a blind man”; and this line from "The Sun Will Shine Again": “Is there someone of us / who can merit unended whiles?” Then there is the quasi-“yellow peril” song "Y. F." inspired by “A Chinese Ghost Story,” which suffers from the almost racist refrain “And yellow faces in my eyes.” Aelian has the potential for being a good band once they gain more experience in song writing and playing live.


Filed under: New releases , 1992 releases

Related artist(s): Aelian

More info

Latest news

2017-02-20
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more

2017-01-31
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more

2017-01-30
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Cabezas de Cera and Jack o' the Clock, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more

2017-01-27
Acoustic Festival of Britain 2017 Announces Eclectic Lineup – The Acoustic Festival of Britain has been going since 2006, and this year's event sees a number of outstanding artists on the bill. Fairport Convention, Tir na nOg, and Martin Turner are some of the artists we've covered, and there are many more, including The Men They Couldn't Hang, Howard Jones, Chantel McGregor, and many more. The festival runs June 2-4, 2017 at Uttoxeter Racecourse in Staffordshire. » Read more

2017-01-26
Butch Trucks RIP – Butch Trucks was one of two drummers in the first incarnation of the Allman Brothers Band in 1969, helping the band achieve its legendary status as an American original. He died on January 24, 2017 of a self-inflicted gunshot would. He was 69. » Read more


Previously in Exposé...

Here and Now - Give and Take – Here and Now are very heavily patterned in the mold of Radio Gnome era Gong, complete with silly vocals, but luckily they also borrow from Gong’s best features, with some great guitar solos over...  (2002) » Read more

Lili Haydn - Lili – It was February when I bought this on a whim, and it only took a few listens for me to revise my Best of 97 list to include it. Lili Haydn is a violinist of great talent. She’s apparently been doing...  (1999) » Read more

Glass Hammer - Perelandra – My first impressions of the album were that the music is a trite retread of the same standard progressive ideas, just performed by a different set of enthusiastic fans using weakly written material....  (1996) » Read more

Christian Vander - Les Voyages de Christoph Colomb – This is not so much a solo album as it is a narrative with some backing music. All of the music is performed by Christian Vander on synthesizers (which were programmed accordingly by Stella Vander)....  (1995) » Read more

Various Artists - 70's West Japanese Rock Scene – Apart from the Tokyo scene in the 70s, there were many progressive bands operating in the Kansai region, outside of Tokyo and in the west of Japan, in places like Osaka, Kyoto, and elsewhere. 70's...  (1996) » Read more



Listen & discover



Print issues