Exposé print issues (1993-2011)
Showing items 31 to 34 of 34
1973 was a fertile time for music and musicians. As in any period of time, there were many minds questioning the so-called conventions of music and the music industry. The time was ripe for experimentation and the combining of disparate sound and styles in ways never before imagined. However, in the early 70s in Italy, artists did not automatically consign themselves to obscurity by doing so. Area was born of a strong political commitment, largely due to the polarized, fragmented political climate in Italy. Their political message was not hidden in comfortable and familiar pop-song structures; instead they challenged the listener with music as unsettling and difficult as their radical social ideas. » Read more
The phenomenon of Phish is a bit of an enigma. Playing music that for the most part ranges from not-particularly-commercial to wildly eclectic to seriously challenging, they are selling out large venues and even setting concert attendance records across the country. But while their fanbase has grown exponentially over the decade or so of their existence, they continue to receive little more than token mention in the music press, and what mention there is often tends to be horribly misguided and misinformed. So what is it about Phish that fans find so addictive yet critics and the music community as a whole seem to find so ungraspable? » Read more
In the light of Musea's new tribute A Propos d'Ange and a new solo album by Christian Décamps, Exposé felt it would be an ideal time to take a look back at what was the beginning and arguably the peak of the career of one of France's most innovative and influential rock groups. » Read more
It's almost October 1994. That means it was almost 25 years ago that King Crimson's debut album In the Court of the Crimson King was released on both sides of the ocean, and the term "Progressive Rock" was born — at first a trend that grew out of the late 60s musical awareness that elevated the importance of the instrumentation and soloing while diminishing the importance of the singer, the lyrics, and the old song structure that had remained essentially unchanged since the early 50s.
» Read moreThese are the most recent changes made to artists, releases, and articles.