Exposé Online banner

Usssy — Usssy
(Tenzenmen 181tzm, 2013/2016, DL)

by Jon Davis, Published 2016-09-05

Usssy Cover art

As the music industry has changed over the last few years, some of the functions previously performed by record labels, such as paying advances for studio time, serving singles to radio, and providing superstars with cocaine, have become more or less obsolete for all but the biggest of pop acts on the handful of remaining major labels. What remains for labels outside that little club to do is partly a matter of curation, a form of quality control, being trusted (or not) filters for artists who fit the label’s style or level of professionalism. With millions of recording artists all over the world, we all need someone to point us in the right direction now and then. So when a new artist comes out on Moonjune or Cuneiform or another label we trust, we can be reasonably certain that certain criteria will be met. Tenzenmen has a very eclectic roster from a stylistic standpoint, but there is an esthetic at work, so when they present something, it’s worth checking out. Usssy is (or was) a Russian duo active from 2009 to 2013, and with this collection, Tenzenmen presents two tracks each from six releases, plus one live track from another. On the earliest material, from 2009, they thrash out a noisy take on post punk, with snarling vocals, dissonant guitars, and barely reigned-in chaos. “Cock-Fight,” from 2010’s Oko, starts out with wailing slide guitar and free-form pounding drums, then moves through a set of crazy riffs and rhythmic patterns that are heavily distorted but tightly choreographed. By 2011, with Ud, we start to hear some Middle Eastern influences, where the thrashing noise is topped by catchy melodies that sound vaguely Turkish. The 2012 live track shows this trend taken further, with an acoustic stringed instrument (I‘m not going to try to identify it beyond saying it has metal strings) backed by hand percussion. For Karpet Birch (2012), the microtonal nature of the melodies comes more to the fore, and instrumentation is expanded to include keyboards and synthesizers, resembling a twisted modern version of early-70s Turkish psychedelia — Moğollar remixed by Merzbow, maybe. Punk rockers who grew up listening to The Devil’s Anvil reinterpret the music of their youth in epic fashion. The later releases are well worth investigating, and this compilation performed its function admirably: Turning me on to an artist I’d never heard of, and pointing me to the parts of their catalog I’ll like best. Many thanks, Tenzenmen!


Filed under: Archives, 2016 releases, 2013 recordings

Related artist(s): Usssy, Pavel Eremeev (Holy Palms)

More info
http://tenzenmen.bandcamp.com/album/usssy

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Poetica in Silentio - What Do Fish Know? – Over the last few years, a number of bands have tackled the problem of applying the best features of classic progressive rock to more modern sounds, and other bands seem to have achieved the same sort...  (2004) » Read more



Listen & discover



Print issues