Once there was music. Simple music. Maybe a nursery rhyme or a simple folk tune sung by a kind and loving voice. Soon your ears met new music, maybe a classical piece or a fragment of a pop song, a comforting melody that played in your mind the whole day through. The simplicity of youth soon gave way to the anxieties of adolescence; pop music, then perhaps rock — began to speak more directly to your spirit in turmoil. As time went by, your musical tastes continued to develop driven by a hunger for new ideas, reaching for new horizons, fusing new styles and idioms, breaking down the existing limits and barriers. Then one day you found yourself alone, ignored completely by a music and radio industry firmly set on maintaining popular music at its lowest common denominator, while your wide ranging taste for eclectic musical styles and experimentation find you increasingly disconnected from the musical mainstream. Is this you?
This growth and disconnection is what Exposé is all about. Our primary focus is the music that the mainstream ignores; music whose roots seem to have originated somewhere just outside the pop/rock mainstream, but has progressed onwards toward the boundaries of rock, where it meets jazz, classical, folk, avant-garde, electronic and experimental, going well beyond the standard forms into areas of stark and stunning originality. With Exposé, the focus is on the exploration.
Exposé began modestly in the autumn of '93 as a bi-monthly companion newsletter to the Exposure radio show, which focuses on progressive and experimental rock and its periphery. It grew from sixteen to forty pages within one year, and has since settled out as an eighty page quarterly, packed with information on all the music that matters, and the artists who create it. Our typical issue contains artist profiles, interviews, historical perspectives, and much more. You will find well over two hundred reviews of new releases and selected reissues in each issue, and Exposé is the only English language publication that features roundtable reviews of all important new releases — not just one, but three different perspectives on the same release. Our writers are knowledgeable about music and the history of music, many being musicians themselves, and are among the best in the field, having previously written for Gibraltar, Audion, Option, i/e, Eurock, and others.
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more
Various Artists - Thousand Days of Yesterdays - A Tribute to Captain Beyond – For most of us, Captain Beyond is a sort of footnote in the history of progressive rock, having achieved little apparent success or recognition for the three records they released between 1971 and... (2001) » Read more