Once there was music. Simple music. Maybe a nursery rhyme or a simple folk tune sung by a kind and loving voice. Soon your ears met new music, maybe a classical piece or a fragment of a pop song, a comforting melody that played in your mind the whole day through. The simplicity of youth soon gave way to the anxieties of adolescence; pop music, then perhaps rock — began to speak more directly to your spirit in turmoil. As time went by, your musical tastes continued to develop driven by a hunger for new ideas, reaching for new horizons, fusing new styles and idioms, breaking down the existing limits and barriers. Then one day you found yourself alone, ignored completely by a music and radio industry firmly set on maintaining popular music at its lowest common denominator, while your wide ranging taste for eclectic musical styles and experimentation find you increasingly disconnected from the musical mainstream. Is this you?
This growth and disconnection is what Exposé is all about. Our primary focus is the music that the mainstream ignores; music whose roots seem to have originated somewhere just outside the pop/rock mainstream, but has progressed onwards toward the boundaries of rock, where it meets jazz, classical, folk, avant-garde, electronic and experimental, going well beyond the standard forms into areas of stark and stunning originality. With Exposé, the focus is on the exploration.
Exposé began modestly in the autumn of '93 as a bi-monthly companion newsletter to the Exposure radio show, which focuses on progressive and experimental rock and its periphery. It grew from sixteen to forty pages within one year, and has since settled out as an eighty page quarterly, packed with information on all the music that matters, and the artists who create it. Our typical issue contains artist profiles, interviews, historical perspectives, and much more. You will find well over two hundred reviews of new releases and selected reissues in each issue, and Exposé is the only English language publication that features roundtable reviews of all important new releases — not just one, but three different perspectives on the same release. Our writers are knowledgeable about music and the history of music, many being musicians themselves, and are among the best in the field, having previously written for Gibraltar, Audion, Option, i/e, Eurock, and others.
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more
Ennio Morricone RIP – Famed composer Ennio Morricone has died at the age of 91. The creator of scores for more than 500 movies, some of his works have become the most recognizable sounds in the history of cinema. His soundtracks for Sergio Leone's Westerns made from 1964 to 1971, are iconic landmarks in film music, but he also composed for dramas, comedies, and other genres. He won the Academy Award for Best Original Score in 2016 for The Hateful Eight. » Read more
Daevid Allen and University of Errors - e²x10=Tenure – This sophomore CD from University of Errors starts with “Iced Tea Overture” and gets your attention with a chunky beat, free-form guitar, and spaced out effects. Then Allen gets going on... (2001) » Read more