Once there was music. Simple music. Maybe a nursery rhyme or a simple folk tune sung by a kind and loving voice. Soon your ears met new music, maybe a classical piece or a fragment of a pop song, a comforting melody that played in your mind the whole day through. The simplicity of youth soon gave way to the anxieties of adolescence; pop music, then perhaps rock — began to speak more directly to your spirit in turmoil. As time went by, your musical tastes continued to develop driven by a hunger for new ideas, reaching for new horizons, fusing new styles and idioms, breaking down the existing limits and barriers. Then one day you found yourself alone, ignored completely by a music and radio industry firmly set on maintaining popular music at its lowest common denominator, while your wide ranging taste for eclectic musical styles and experimentation find you increasingly disconnected from the musical mainstream. Is this you?
This growth and disconnection is what Exposé is all about. Our primary focus is the music that the mainstream ignores; music whose roots seem to have originated somewhere just outside the pop/rock mainstream, but has progressed onwards toward the boundaries of rock, where it meets jazz, classical, folk, avant-garde, electronic and experimental, going well beyond the standard forms into areas of stark and stunning originality. With Exposé, the focus is on the exploration.
Exposé began modestly in the autumn of '93 as a bi-monthly companion newsletter to the Exposure radio show, which focuses on progressive and experimental rock and its periphery. It grew from sixteen to forty pages within one year, and has since settled out as an eighty page quarterly, packed with information on all the music that matters, and the artists who create it. Our typical issue contains artist profiles, interviews, historical perspectives, and much more. You will find well over two hundred reviews of new releases and selected reissues in each issue, and Exposé is the only English language publication that features roundtable reviews of all important new releases — not just one, but three different perspectives on the same release. Our writers are knowledgeable about music and the history of music, many being musicians themselves, and are among the best in the field, having previously written for Gibraltar, Audion, Option, i/e, Eurock, and others.
Tomasz Stańko RIP – Tomasz Stańko, one of the greats of Eastern European jazz, has died at the age of 76. Stańko's career started in Krzysztof Komeda's quintet, where he contributed trumpet from 1963-1967, when he formed his own group. He worked extensively with Edward Vesala, Don Cherry, Zbigniew Seifert, Chico Freeman, Howard Johnson, Cecil Taylor, and many others. Many of his recordings have been released by ECM, an association that began in the mid-70s. » Read more
Soft Machine Set to Release New Music – It's been 50 years since The Soft Machine changed the face of music with their first album. Their blend of psychedelic rock and jazz was unique, and while the band went through many changes before disbanding in 1981 — by which time there were no original members remaining — they remained an innovative force with a style all their own. » Read more
7d Surfaces Happy Rhodes Back Catalog – We've covered singer Happy Rhodes before, both for her solo work and recently with The Security Project, but her 11 albums have been hard to track down. Until now. 7d features high-quality downloads of all her releases, and several of them are also available on CD. » Read more
Fred Chalenor RIP – We have news of another sad passing in the world of creative music. Bassist Fred Chalenor, whose creativity featured on albums by Tone Dogs, Caveman Shoestore, and many more, died on June 23, 2018 after a long battle with Alzheimer's. Tributes have poured in from the many musicians and fans whose lives he touched. » Read more
Gongzilla - Live in Concert and the East Village Studio – Bon Lozaga and Hansford Rowe have done a respectable job keeping their fusion offshoot of Gong alive and well and true to their vision. The bottom line is that the group serves up hot jazz-rock,... (2006) » Read more