header

Latest news

2014-07-24
Fruits der Mer Announces Autumn Releases – According an email today from Keith Jones of Fruits de Mer, the next batch of vinyl is scheduled for release on September 22.  » Read more

2014-07-17
RIP Johnny Winter – Johnny Winter, a Texas-bred guitarist and singer who was a mainstay of the blues-rock world since the 1960s, died on Wednesday July 16th in his hotel room in Zurich. He was 70 and had been on tour in Europe. » Read more

2014-07-17
What's next from Johnny Unicorn – Seattle-based musician and composer Johnny Unicorn, while being a full-time member of Autumn Electric, somehow has found the time to record his next album. Angels in the Oort Cloud is available for streaming now, and will be released in physical form this fall. » Read more

2014-07-16
Backhand to play ProgDay 2014 – Four giants from the Venezuelan music scene and an Emmy Award winning singer based in Canada merge their talents and passion for music into an exceptional eclectic prog band. ProgDay is pleased to host Backhand's first performance in the US. » Read more

2014-07-12
Charlie Haden RIP – Bassist Charlie Haden, who helped change the shape of jazz more than a half-century ago as a member of Ornette Coleman's groundbreaking quartet and liberated the bass from its traditional rhythm section role, has died. He was 76. » Read more

Previously in Exposé...

Omnia Opera - Omnia Opera From the first few power chords at the beginning of "Space Bastard" it becomes fairly obvious that this British six-piece have Hawkwind as one of their major influences, yet they seem to be capable of...  (1994) » Read more

The Worm Ouroboros — Of Things That Never Were
(AltrOck Productions Fading FAD011, 2013, CD)

by Peter Thelen, Published 2013-11-20

Cover artWhile one might be mystified by the opener “L’Impasse Sainte Beregonne,” a sort of crepuscular instrumental prog dirge highlighted by electric guitar, flute, and bassoon, things take a more light, playful and colorful turn with “Shelieth,” seemingly inspired by classic period PFM, though not derivative in any sense. There must be something in the water in Minsk that produces brilliant musicians with outstanding compositional ideas. The band is nominally a four-piece with multi-instrumentalist Sergey Gvozdyukevich handling most of the writing, as well as the vocals, though guitarist Vladamir Sobolevsky has a strong hand in the arrangements, with bassist Alexey Zapolsky and drummer Eugene Zarkhin providing a solid rhythmic foundation that adds just the right touches to their sound. The wild card is reed player Vitaly Appow, from Rational Diet and more recently Five-Storey Ensemble, who appears on many of the tracks here, adding melodic counterpoint to Gvozdyukevich’s flute and keys. The album’s first vocal cut “The Pear Shaped Man” most definitely plays the Van Der Graaf / Hammill card, an influence that can be heard on some of the other tracks as the album proceeds, but nowhere more so than here. “Soleil Noir” starts by recalling the gentler side of classic period PFM, though this time with vocals, as it slowly morphs into a more edgy rock piece. The album’s darkest cut is “The Curfew,” one that may at different times recall elements of Magma, Present, or Art Zoyd; here electric piano duels with guitar and bassoon, with a funky zeuhl-like bass figure supporting, all topped off with mysterious chanting. “Dawn Angel” is a beautiful acoustic guitar duet that leads nicely into “Pirates in Pingaree,” a powerful, shifting symphonic piece that at times evokes classic Camel and other Canterbury and classic Italian influences. This Worm Ouroboros (not to be confused with a Bay Area post-rock band with the same name) pushes all the right buttons, and Of Things That Never Were is nothing if not a startling debut.

Filed under: New releases , 2013 releases

Related artist(s): The Worm Ouroboros

Listen & discover

Index to print issues online